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Astor Piazzolla |
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Brief bio written by: Joe Yang
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When he was 13, his musical talent caught the attention of Carlos Gardel, who even asked young Astor to accompany him on tour. But Astor's father didn't let him, saying that he was too young. Although it was a huge disappointment to Piazzolla, it was a decision that saved his life because it was on that same tour that Gardel and many of his fellow musicians died in a plane crash. Returning to Argentina in 1937, Piazzolla found work playing tango music in night clubs, and for a time, was even part of Anibal Troilo's famous orchestra. After receiving acclaim for entering a composition contest, Piazzolla received a grant to study in Paris with Nadia Boulanger, a well-known composition instructor at the time. Trying to deny that he was
a tango musician, Piazzolla did all he could to study music "seriously"
and become a musician/composer in the vein of Stravinsky and Bach. But
Boulanger, being able to read his personality and style, convinced Piazzolla
that musically speaking, he was a tango guy through and through. Gaining acceptance of his
revolutionary approach was largely an uphill battle among tango communities
and the media, but artistic circles eventually came around (first in North
America and Europe) and his place was cemented in tango history. In the
60s Piazzolla even collaborated with famous Argentinean writer Jorge Luis
Borges, where his music was played over some of Borge's poetry.
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